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Varanasi in Widening Circles: Four Days From the Ghats Outward

Varanasi, IndiaOctober 11, 202411 min read
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A paan seller at a roadside stall spreading white lime paste across a fresh green betel leaf with a small blade, a tray of dressed leaves and pots of fillings on the counter beside her.01
A paan seller at a roadside stall spreading white lime paste across a fresh green betel leaf with a small blade, a tray of dressed leaves and pots of fillings on the counter beside her.Photo: Rohan Mathur / Unsplash

Varanasi rewards four days if you plan them as rings - the water, the lanes behind it, Sarnath, and the far bank - and this is the order that makes each one land.

Most itineraries through north India give Varanasi a single night. You land in the afternoon, watch the evening aarti at Dashashwamedh, take a boat at first light and fly out before lunch. That produces two good photographs and almost no sense of the place. The opposite mistake is just as common: a full week booked at a ghat-side guesthouse, which in practice becomes three days of astonishment followed by four of heat, repetition and cautious eating.

Four days and three nights is the number that works, and the order of those days matters more here than in most cities. Varanasi is arranged in rings. There is the water. There is the compressed lane system immediately behind it. There is the wider city, with its university at the southern end and its weaving quarters inland. And there is an outer ring that most visitors never reach at all, holding Sarnath to the northeast and the empty far bank with Ramnagar Fort standing on it. Plan outward from the river and each day explains the one before it. Plan at random and you will spend the trip in an auto-rickshaw crawling back through Godowlia.

How long the city is worth, and where to sleep

Three nights is the floor, and it only works if you arrive early enough on the first day to be on the water before dark. Two nights forces a choice between Sarnath and the far bank, and in practice you will make neither, because you will be tired. Five nights earns its keep in two situations: when your dates fall inside the Ramnagar Ramlila or Dev Deepawali, or when you want a day out at Chunar.

Where you sleep decides how the days feel more than which hotel you pick. The Assi end, at the southern tip of the ghat string, is the calmer choice: wider steps, cafes that serve breakfast, the university at your back, and autos within reach when you need to go somewhere. Suryauday Haveli, a converted riverside house at Shivala Ghat a little north of Assi, sits in that stretch. The middle - Meer Ghat, Darbhanga Ghat, Man Mandir - puts you inside the old lanes, which is thrilling and loud and means no vehicle reaches your door. Ganpati Guest House at Meer Ghat has been a standby there for years; BrijRama Palace, in a restored early nineteenth-century building above Darbhanga Ghat, is the expensive end of the same idea and is normally entered from the river. The Cantt area near the main station is convenient for trains and roughly twenty minutes of traffic away from the thing you came for, so use it only for an overnight transit.

Budget-wise this is an inexpensive city by any standard. A clean river-facing room in a mid-range guesthouse has recently run to somewhere around INR 2,000 to 3,000 a night, with the heritage havelis several times that. Excluding the room, two people can cover boats, entries, autos and three meals a day on something like INR 2,000 to 3,000 between them.

Arrivals are worth planning. Lal Bahadur Shastri International Airport sits at Babatpur, roughly 25km northwest of the ghats; allow between forty-five minutes and an hour and a half depending on the hour. By rail, Varanasi Junction - still universally called Cantt - is the most central of the stations, while Banaras station, renamed from Manduadih in 2020, lies a few kilometres west and takes a growing share of long-distance services, so read your ticket rather than assuming. The fast service from Delhi covers the distance in roughly eight hours. Whichever way you come, the last stretch is on foot: no car reaches most ghat guesthouses, so expect to be dropped at the nearest crossing and to walk five to fifteen minutes through the lanes with your bag. Pack accordingly.

Day one: the water, taken twice

Take the river twice on your first day, once at each end of the light, and do nothing else of consequence in between.

Be at Assi Ghat in the dark. Subah-e-Banaras, the morning programme that has run daily there since 2014, opens with Vedic chanting, moves through an aarti and a raga and finishes with yoga on the steps; it starts roughly three-quarters of an hour before sunrise and watching from the steps costs nothing and needs no booking. When the sky begins to go grey, hire a boat.

The Ganges runs north past the city, and the far bank is bare sand, which is why the early light arrives across open water and falls flat onto the ghats. Go downstream from Assi towards Manikarnika and come back; allow about ninety minutes. Choose a rowing boat over a motorboat if you have any say in it, because the difference between hearing the ghats and hearing an engine is the whole experience. A small rowing boat at ordinary hours has recently been priced at something like INR 300 to 500 an hour, with the sunrise slot costing noticeably more; agree the route, the duration and the number of people before you step in. Passenger limits on these boats are regulated and enforced after past accidents, so decline a boatman who wants to squeeze in more bodies, and wear the life jacket.

Then sleep. You were up in the dark, the middle of the day is hot for most of the good season, and the city gives you nothing between late morning and mid-afternoon that it will not give you better later.

In the late afternoon, walk up to Kashi Vishwanath. Since the corridor opened at the end of 2021 the temple compound connects directly through to Lalita Ghat, which makes the approach from the river straightforward for the first time in centuries. Phones, cameras, smartwatches and bags are not permitted inside the shrine; lockers sit at the entry gates. Foreign visitors pass an identity check and registration, so carry your passport rather than a photocopy. Queues swell on Mondays, on festival days and through the month of Sawan in the monsoon.

End at Dashashwamedh for the evening aarti, which begins after dusk. From the steps you should be in place about an hour beforehand if you want to sit rather than stand at the back; from a boat you pay for a seat and see the whole row of lamp-swinging platforms at once, which is the better view and the worse atmosphere. If the crush is not for you, the smaller aarti at Assi runs at the same hour to a fraction of the crowd.

The ghats of Varanasi crowded at dusk
The ghats of Varanasi crowded at duskPhoto: Roshan Kmr / Unsplash

Day two: the lanes one street back

The ghat string runs six or seven kilometres from Assi in the south to Raj Ghat in the north, across some eighty-odd flights of steps. Walking all of it in one push is a mistake in any season; take the middle third on foot in the morning and leave the rest to the boat.

On that stretch, Man Mandir Ghat carries the observatory built by Sawai Jai Singh II of Jaipur in the early eighteenth century, one of the same family of masonry instruments he raised in Delhi and Jaipur; it is protected by the Archaeological Survey of India and charges a small entry fee. The wooden Nepali temple above Lalita Ghat, built under the patronage of a Nepali king, is a genuine oddity in a city of stone. Scindia Ghat has its half-sunken shrine leaning into the water. And there is Manikarnika, the main cremation ground, where the etiquette is simple and absolute: no photographs of any kind, keep out of the working areas, and decline the man who offers to lead you upstairs for a view and then asks for a contribution towards wood for the poor. That approach is a known routine. Stand at the edge, stay as long as you like, and take nothing away with you.

Spend the rest of the morning one street back from the water. Vishwanath Gali is the souvenir run and worth walking once; Thatheri Bazaar in the Chowk area is the brass and metalware lane, and the sound of it is better than anything you will buy there. Kaal Bhairav, the temple to the fierce guardian form of Shiva, sits a short walk north of Chowk and is a working local shrine rather than a sight. Kabir Chaura, inland from there, has long been associated with the city's families of classical musicians, and guesthouses in the area can often point you to an evening sitting.

Give the afternoon to the weaving quarters. Madanpura and Lallapura, both a few kilometres inland, are where Banarasi silk is actually made, on handlooms and jacquard looms inside family houses. Arrange the visit through your guesthouse or a named guide rather than accepting the silk factory detour an auto driver offers you, which is a commission run and will show you a showroom rather than a loom. A genuine handwoven sari takes a weaver somewhere between two weeks and six months, which is the whole explanation for the price; simple handwoven pieces tend to start in the low thousands of rupees and climb steeply with the weight of zari work.

Day three: Sarnath, which deserves a whole morning

Sarnath lies about 10km northeast of the ghats, thirty to forty-five minutes by auto in ordinary traffic, and an auto with waiting time has recently cost in the region of INR 600 to 900 for the round trip. Go early, before the tour buses and the heat.

This is the deer park where the Buddha is held to have given his first sermon, and the ruins reward slow walking. The Dhamek Stupa, its present brick and stone form generally dated to the Gupta period, is the anchor. Chaukhandi Stupa, on the approach road, carries an incongruous octagonal Mughal tower added in the late sixteenth century. The Sarnath Archaeological Museum holds the Lion Capital of Ashoka - the original from which India's state emblem is taken - and it is closed on Fridays, which is the single most useful scheduling fact in this article: do not put this day on a Friday. Entry charges across the site are modest, with a higher rate for foreign visitors. Mulagandha Kuti Vihar, raised in the 1930s by the Maha Bodhi Society, is worth the extra twenty minutes for the murals by the Japanese painter Kosetsu Nosu and the bodhi sapling in its grounds. The Thai, Tibetan and Japanese monasteries around the site are free to enter and pleasantly empty.

Budget two and a half to three hours on the ground, plus travel. On the way back, stop at Banaras Hindu University at the southern end of the city, founded by Madan Mohan Malaviya in 1916 and laid out on a scale that is startling after the lanes. Bharat Kala Bhavan, the university museum, has strong holdings of miniature painting, sculpture and textiles; it closes on Sundays and keeps shorter hours in the hot months, so between it and Sarnath you have two fixed days to plan around. The New Vishwanath Temple stands on the same campus, and Sankat Mochan, the Hanuman temple traditionally associated with Tulsidas, is a short ride away and busiest on Tuesdays and Saturdays.

Day four: the far bank

From the ghats you cannot see the ghats. That is the argument for crossing, and it is enough on its own.

The east bank is a broad sandbank for most of the good season, with Ramnagar and its fort a little downstream. A pontoon bridge is laid across the river roughly from October to June and dismantled before the monsoon; there is also a road bridge upstream past the university, and boats run the crossing all year when the river is not in spate. The pontoon is the enjoyable option and is exactly as rickety as it looks.

Ramnagar Fort was built around 1750 in cream chunar sandstone for Balwant Singh, and the family of the Kashi Naresh still occupies part of it. The public draw is the Saraswati Bhawan museum in the old audience hall: vintage American cars, bejewelled palanquins, elephant howdahs worked in silver, a heavy armoury, and a nineteenth-century astronomical clock that tracks the sun, moon and constellations alongside the time. It typically opens mid-morning and closes in the late afternoon, with a small entry fee and a higher one for foreign visitors. Much of the fabric is weathered and unrestored; come for the collection and the river frontage rather than for polish.

If your trip falls in autumn, Ramnagar is also where the Ramlila runs for thirty-one consecutive nights, using the town's streets, tanks and the fort itself as its stage; in 2026 it occupies late September into the last week of October. UNESCO added Ramlila, the traditional performance of the Ramayana, to its intangible heritage list in 2008, and the Ramnagar cycle is the best known of them. Performances are in the evening and move from site to site, so ask locally where the night's scene is set.

Cross back by boat in the hour before sunset, when the light is behind you and the entire skyline of temples, havelis and steps lines up in one frame. It is the only view that gives you the city whole.

Art and music in Varanasi
Art and music in VaranasiPhoto: PRIYANSHU ADHIKARI / Unsplash

A fifth day, if you have one

Chunar sits about 40km south, an hour to ninety minutes by car. Its fort stands on a sandstone spur directly above the Ganges, was held in turn by Sher Shah Suri, the Mughals and the British, and the quarries below it supplied the stone for some of Ashoka's pillars. It is a half-empty, largely unmanaged site, which is much of the appeal.

The alternative is to go nowhere. Take the sunrise boat a second time with a different boatman, walk a stretch of ghats you skipped, and eat properly. Repetition is not a waste here; the river is different at every hour and most travellers leave having seen it at only two of them.

Timing, weather and what to skip

October to March is the season, and the shoulders of it are the sweet spot: November and February are reliably pleasant. Late December and January bring fog thick enough to delay flights and trains by many hours and to cancel a sunrise entirely, and the boat at dawn is genuinely cold, so bring more layers than the latitude suggests. April to June is severe heat. During the monsoon from July into September the river rises, the lower steps go under, boating is suspended when the level is high and the pontoon bridge is gone.

Two dates to know. Dev Deepawali, when the ghats are lit end to end with earthen lamps, falls on 24 November in 2026; rooms and boats for that night go months in advance and the crowds are extraordinary. The Ramnagar Ramlila runs through late September and October as above.

Finally, the things to leave out. Skip the one-night stopover, which is the plan this whole article exists to argue against. Skip the silk factory offered by drivers. Skip photographs at the cremation ghats and the guided balcony view that comes with a donation request. Skip the unsolicited blessing on the steps at Dashashwamedh that concludes with a fee. Do not build a plan around the ropeway being constructed between the Cantt station and Godowlia, which has been announced as opening several times and should be checked locally rather than assumed. And treat the water with the caution it deserves: drink bottled or filtered, and admire the Ganges from the boat.

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